Showing posts with label Public-to-private. Show all posts
Showing posts with label Public-to-private. Show all posts

Wednesday, 19 November 2008

The future of newspapers in a world of Capitalism 2.0

I've blogged a lot about a publicly endowed public-to-private move by the NYT Company in order to save itself.

I just want to clarify something for a Think! reader who wrote to me about this.

Yes, one option is to go the non-profit endowment route.

But another, and one which is part of my thinking, is that pure endowment isn't the only play here.

Let's just consider for a moment that, after the recent financial meltdown, we're going to see new flora and fauna emerging, a bit like after a forest fire.

I think this is likely not just in the case of newspaper companies and their offerings, but also capitalism in general. It's what I call the birth of Capitalism 2.0. (I don't know if anyone else is using that term, but if so I haven't read about it.)

Capitalism 2.0 is a market place for profit-minded investors (yes, capitalists still want an ROI) within which different classes of investors emerge who are willing, for reasons of contributing to the broader base of social capital, to accept reduced, capped or fixed income returns on their investments.

In my scenario of 100 rich Americans/foundations/endowments/whoever stumping up, let's say, $10 million each to achieve this for the NYT Company, they would enable the NYT Company to survive in the short term and flourish in the long term (once the NYT Co. get with the programme of what is actually going on in the media world and what the market wants and come up with some new ideas). But a fully blown not for profit endowment is not what I have in mind.

What I have in mind is an investment class of managed profit expectations where investors are willing to accept, in return for a broader (can we say greater?) good, lower returns on their capital than they can achieve elsewhere.

Capitalism 2.0 will still leave plenty of investment classes for people who are driven purely by greed and profit, but in 25 years time, might we be asking each other at dinner parties whether we're into - to shorthand the idea - social capital class B investments or pure profit motive class A investments? Emerging social trends will determine which class of investment is called A and which class is called B.

This differential between investment classes can be applied to any company or sector you care to mention. Oil companies that are Investment B class or Investment A class for example, the former being one that caps its profit margins at a certain percentage, re-invests that money in alternative non-fossil energies and pays out, yes, a lower dividend.

Given the NYT families who own the voting stock are going to have to swallow considerably lower dividends for some years to come, even if (and it's an if) they survive, might they like to go for this model and at least claim some glory for developing the concept (after me that is)?

We're constantly told what terrifically socially minded and all round great people the family is (a bit like the Bancrofts, ho hum) so let's see them put their money where their mouth is. Sorry kids, some of you are going to have to get real jobs, but you've all got the nice Manhattan brown house/loft apartment/trust fund based on NYT dividends to date, so it's not all bad is it?

As for management and editorial staff, well, sorry too.

You're going to have to take a pay cut.

I would if I were you in this scenario because given the media meltdown, both re, media market B-side and editorial staffing cuts, there's plenty of members of the liberal media elite who would be more than willing and capable of working for a Capitalism 2.0 NYT Co. on a wage platform of, off the top of my head, at least 25% less than you're currently getting paid.

With the $10 million members of the liberal media elite poneying up to get the debt down by around a billion dollars, the company going public-to-private, the resulting drop in debt servicing fees and 25% off the biggest cost base without you losing your job, this could be one hell of an offer.

And we'll all get a chance to see just how liberal you and the Ochs-Sulzbergers really are. Which would be nice wouldn't it?


If you don't like the deal on the table you can always go and set up a blog, because boy, that's the future isn't it (not).

And let's not forget, that with NYT Company stock trading at as low as $6.90 yesterday, your performance related stock options aren't worth a bag of beans anyway, so no big loss on that front.

Naturally investor/employee participation is going to be a big part of the reward of being in Class B investments as an investor or employee, so we may need a few changes of management style. But judging by the mood music I'm hearing, no one would be worrying too much about that.

BTW: if something like this does happen at the NYT Co. I still want that place on the board. And given how much I've made out of the naked short selling of NYT Company stock in the last 24 months, I'm more than happy to put the first 10 mill on the table. Can't do fairer than that ;)

Today's article in the IHT about the Smithsonian (see below) is perhaps relevant in all this, but there are more thoughts beneath it about the future of newspapers in the world of Capitalism 2.0.


At meeting, Smithsonian practices new openness
By Robin Pogrebin
Tuesday, November 18, 2008
WASHINGTON: Fielding questions about its diminished endowment fund, the possibility of charging admission fees and the fate of its fabled yet shuttered Arts and Industries Building, the Smithsonian Institution held the first public board meeting in its 162-year history on Monday as part of its new commitment to openness and accountability. Sitting on the stage of a 565-seat auditorium at the institution's National Museum of Natural History, members of the governing body, or Board of Regents — including members of Congress — took questions from the audience present and online.
The two-hour meeting was a window on public concerns about the Smithsonian's shaky financial state and potentially endangered programs, rather than merely a forum for combative accusations after two tumultuous years in which the institution has been battered by mismanagement scandals. Museumgoers and Smithsonian staff members had the opportunity to ask whatever they wanted about the organization's operations and direction.
Although billed as an open board meeting, the session seemed more like a chance for the regents to hear from the public than for the public to observe the regents at work. Questions ranged from broad issues like the thrust of the Smithsonian's new strategic planning initiative, intended to draft a course of action for the institution's financial future and its programs, to whether a tram might be built at the National Zoo.
There were nonetheless more challenging moments.
"Why did you not all resign?" was the first question, submitted on a card by an audience member. It referred to the Board of Regents' decision to stay on after revelations about the lavish expense-account spending of Lawrence Small, the Smithsonian's former secretary, or chief executive, who resigned in March 2007.
Roger Sant, chairman of the Smithsonian's executive committee, replied that the regents had asked themselves, "Do we resign, or do we roll up our sleeves — and we chose the latter."
The question that drew one of the most emphatic responses from the regents concerned the viability of the Smithsonian's policy of free admission at all of its components, which include 19 museums and galleries, the zoo and 9 research centers. The Smithsonian draws 70 percent of its $1 billion annual budget from the federal government.
One written comment suggested that "the luxury of free admission must be a thing of the past." The audience booed.
Senator Christopher Dodd, Democrat of Connecticut and a Smithsonian regent, called the admission policy "one of the great hallmarks" of the institution.
Calling attention to the Smithsonian's unusual governance structure was the scheduled role of Chief Justice John Roberts Jr., who serves as the Smithsonian's chancellor and traditionally presides over board meetings. At the last minute the chief justice was unable to attend and Sant presided instead. "We've been trying to do some fixing," Sant said upon opening the meeting. "The board views this meeting as an opportunity to directly engage with all of you about the issues facing the Smithsonian."
Many questions were answered by G. Wayne Clough, the former president of the Georgia Institute of Technology, who took over in July as the Smithsonian's secretary.
He faces the task of restoring stability to an institution struggling with a $2.5 billion shortfall, crumbling buildings and a recent legacy of improprieties by leading Smithsonian executives. "We believe the Smithsonian is at a turning point," he said in his opening remarks. "The world is rapidly changing in so many ways."
Like other organizations, the Smithsonian has been seriously affected by the nation's economic downturn; the value of its endowment has dropped 21 percent since June. "Of course we can't predict the future," Clough said, "but we can prepare for it."
He said the Smithsonian had "to find ways to be more self-reliant." The institution raised $135.6 million last year, he said, an improvement on its goal of $115 million.
The developer and philanthropist Eli Broad, who serves as a regent, said the board had become more conservative about its investments.
The organization has also raised $400,000 toward the $1.3 million cost of its strategic planning effort, Clough said. But he said that fund-raising was not enough and that the institution needed to set about attracting a younger and more diverse work force and audience.
Clough said he had established a committee to ensure that executives at the institution — including regents, staff members and contractors — reflected the nation's ethnic diversity. "The Smithsonian is the treasure of America and it represents America," he said. "Therefore its Board of Regents should as well."
Several of the questions dealt with the Smithsonian's neo-Classical 1881 Arts and Industries Building, which has been closed for four years and is listed by the National Trust for Historic Preservation as one of the nation's most endangered places because of its state of disrepair.
Clough said that the cost of repairs had been estimated at about $75 million and that the Smithsonian would conclude a study on its future use in January. One member of the audience suggested setting aside part of the building as an information center for all the institutions on the National Mall.
The Board of Regents plans to hold open meetings at least once a year. The next one is expected in June. Sant said the board might adjust the format in the future.
"We don't have it exactly right," he said. "But at least we're trying to tinker with it."

http://www.iht.com/articles/2008/11/18/arts/18smithsonian.php

If you think all of the above is a load of old bollocks then you'll be cheered by these remarks by Mr. Capitalism 1.0s recent remarks:

Murdoch upbeat about the future of newspapers
By ROHAN SULLIVAN – 2 days ago
SYDNEY, Australia (AP) — Global media magnate Rupert Murdoch says doomsayers who are predicting the Internet will kill off newspapers are "misguided cynics" who fail to grasp that the online world is potentially a huge new market of information-hungry consumers.
Newspaper companies in the United States and elsewhere are facing fundamental changes to their businesses as more people get their news from the Internet and other sources, and advertisers follow the market away from the paper-and-ink format.
Murdoch, the Australian-born chairman and chief executive of News Corp., said in a speech broadcast Sunday titled "The Future of Newspapers: Moving Beyond Dead Trees" that the Internet offered opportunities as well as challenges and that newspapers would always be around in some form or other.
"Too many journalists seem to take a perverse pleasure in ruminating on their pending demise," Murdoch said in a speech, recorded in the United States and relayed nationally by the Australian Broadcasting Corp. It was the latest in an annual ABC series of lectures by a prominent Australian.
"Unlike the doom and gloomers, I believe that newspapers will reach new heights" in the 21st century, Murdoch said.
Murdoch grew a small city newspaper he inherited in 1953 into one of the world's largest media conglomerates that now includes 20th Century Fox, Fox News Channel and Sky Broadcasting, Dow Jones & Co. and the online networking site MySpace.
He said people now were "hungrier for information that ever before" and that papers have an edge over bloggers and other newcomers because they are more trusted by readers.
"Readers want what they've always wanted: a source they can trust," Murdoch said. "That has always been the role of great newspapers in the past. And that role will make newspapers great in the future."
He said newspapers would have to evolve from the physical item to "news brands" that are delivered in a variety of ways and are flexible for readers.
"I like the look and feel of newsprint as much as anyone," he said. "But our real business isn't printing on dead trees. It's giving our readers great journalism and great judgment.
"It's true that in the coming decades, the printed versions of some newspapers will lose circulation. But if papers provide readers with news they can trust, we' ll see gains in circulation — on our Web pages, through our RSS feeds, in e-mails delivering customized news and advertising, to mobile phones," Murdoch said.
"In this coming century, the form of delivery may change, but the potential audience for our content will multiply many times over," he said.
Murdoch cited two of his most prestigious newspapers, The Times of London and The Wall Street Journal, as examples of how newspaper brands can win large online readerships.
But he stressed that even these papers must recognize that online customers will decide what news they want and how they receive it.
"To compete today, you can't offer the old one-size-fits-all approach to news," he said. "The challenge is to use a newspaper's brand while allowing readers to personalize the news for themselves and then deliver it in the ways that they want."
To capitalize on online opportunities, Murdoch said The Wall Street Journal was planning to offer three tiers of content online — free news, a subscriber-level service, and a third "premium service" of reader-customizable "high-end financial news and analysis."
Murdoch was scathing of journalists who predicted the death of newspapers as self-pitying and "misguided cynics who are too busy writing their own obituary to be excited by the opportunity."
"The newspaper, or a very close electronic cousin, will always be around," he said. "It may not be thrown on your front doorstep the way it is today. But the thud it makes as it lands will continue to echo around society and the world."

That's all great Rupert but your share price is hardly crash hot either is it?

On that cheery note, I am taking a break from Think! for at least a week, if not more. Knee operation in hospital and other more pressing matters to deal with. I may or may not be back.

Can I just conclude by telling those people who edit the simply dreadful T magazine that, as reported in their piece on Amsterdam in their recent travel edition, Amsterdam is NOT the capital of Holland; The Hague is the capital of The Netherlands. (I think we can sadly take it as a given that the headline writers weren't thinking from their desks in Manhattan about the various provinces in The Netherlands when they called that one.)

Finally.....CHRISTMAS COMPETITION

I'm running a prize competition for the Think! reader who most accurately predicts the NYT Company share price on 31 December, 2008. It's a good prize and I'll send it out in the first week of January, 2009, as well as announcing the winner (anonymous you may remain if you prefer but your entries to ihtreraders AT gmail.com please - if you want to claim the prize I will need your postal address at some point.)

And please, if you are a reader of this blog, and there seem to be lots of you, particularly in Paris, London, Hong Kong and NY according to my stats, and if you haven't yet voted on the three polls on this blog that close at the end of this year, please take a minute to do so.

By far the biggest readership, as judged by the polls, is IHT subscribers but I have data and ISP addresses which would seem to suggest otherwise.

Time to fess up and vote!






READ AN ALTERNATIVE IHT DAILY NARRATIVE AT
A PLACE IN THE AUVERGNE

LOOKING FOR A CHRISTMAS BOOK GIFT TO BUY?
"Books about cosmopolitan urbanites discovering the joys of country life are two a penny, but this one is worth a second glance. Walthew's vivid description of the moral stress induced by his job as a high-flying executive with the International Herald Tribune newspaper is worth the cover price alone…. Highly recommended."
The Oxford Times

Amazon.co.uk
A PLACE IN MY COUNTRY
by
Ian Walthew


'I read
A Place in My Country with absolute unalloyed delight. A glorious book.'
Jeremy Irons (actor)

‘Ian Walthew was a newspaper executive with a career that took him round the world, who one day did a mad thing. He saw a for-sale sign on a cottage in the Cotswolds, bought it, resigned and moved in. For the first few weeks he just lay on the grass in a daze. Then he started talking to his neighbours and digging into the rich history of this beautiful part of England. Out of his inquiries grew this affecting and inspiring memoir.What sets it apart from others of its ilk is the author’s enviable immunity to cliché and his determination to love his homeland better than he used to.
His elegiac account of relearning how to be an Englishman should be required reading for anyone who claims to know or love this country. Financial Times


Amazon.com
A PLACE IN MY COUNTRY
By
Ian Walthew


For more reviews visit
ianwalthew.com

Tuesday, 18 November 2008

Public-to-Private, socially minded rich New Yorkers and Crowdfunding as a possible way out for the New York Times.

Regular followers of this blog will have noted that I've been blogging a lot on the idea of the NYT taking the company private/charitable status with the help of a group of very wealthy, socially minded rich New Yorkers.

I'm indebted to a Think! reader, Simon Garner at PBS, for tipping me off to another variable in this equation which is crowdfunding.

Two projects are cited: spot.us and Representative Journalism.

Now my crowd idea was just a smaller one, involving some very rich people, rather than lots of micropayments, which is essentially what a subscription or kiosk purchase is, and that sure ain't working.

However Leonard Witt's idea over at Representative Journalism is closer to my thinking. He's talking about 1000 people (at a local level) making donations of $100 a year to cover a particular issue.

Well, roll that thought out to where I am and you come to say 100 people in the U.S.A. making a one off donation of $10 million dollars. That would pay off $1 billion of the NYT's debt of $1.2 billion, the company goes private/charitable status, and a lot of your problems are over.

Here below, is the piece written by Mark Glaser, a colleague of Simon's at PBS, about exploring crowdfunding for economic sustainability in journalism.

Below the piece, but check the link to see the comments of readers on how this idea was received. There are nice ideas in this piece, but as re. the NYT Company and in the real world I prefer mine. (If it comes off I want a seat on the charitable board btw. Seriously.)


Can Crowdfunding Help Save the Journalism Business?

by
Mark Glaser, November 13, 2008
Bands do it. Filmmakers do it. President-elect Barack Obama made an artform out of it. "It" is crowdfunding, getting micro-donations through the Internet to help fund a venture. The question is whether crowdfunding can work on a larger scale to help fund traditional journalism, which is being hit by the twin storms of readership and ad declines at newspapers and the economic recession.
Two experiments in crowdfunding, Spot.us and Representative Journalism, are testing the concept at the local level. Spot.us allows freelance journalists to pitch story ideas and get funding from the public in the San Franciso Bay Area, while Representative Journalism (or RepJ) is running a test in Northfield, Minn., funding one full-time journalist to cover that community.
[Full Disclosure: I am on the advisory board to RepJ and, like Spot.us, have also received a grant from the Knight Foundation.]

Spot.us is the brainchild of journalist David Cohn (a.k.a.
Digidave), who worked on NYU professor Jay Rosen's groundbreaking NewAssignment.net citizen journalism project and helped research the chapter on crowdfunding in Jeff Howe's Crowdsourcing book. Cohn won a $340,000 grant from the Knight Foundation for Spot.us, and writes about the project on MediaShift Idea Lab, the sister blog to MediaShift where Knight grantees write about their projects. Here's how Spot.us works:
1. Anyone can come up with a "Tip" or story idea they'd like to see covered. People can "pledge" money toward that story.
2. Freelance journalists can sign up to cover those story ideas or pitch their own stories, attaching a cost to writing the story.
3. Once a story has a journalist attached to it, people can donate money to help fund it (but no one can give more than 20% of the total cost of the story).
4. When the story has full funding, the journalist writes the story, and a fact-checker is paid 10% of the funding to edit and check it.
5. Before the story is posted, news organizations have a chance to get exclusive rights to the story by paying the full cost, which is given back to the donors. Otherwise, the story is posted online and any news organization can run the story for free.
The site officially launched last Monday, but had already funded three stories through a simple wiki set up beforehand. Cohn told me that the challenge for Spot.us isn't so much the technology as it is the fundraising, something that is new to him as a journalist. He said that Spot.us is just one possible alternative business model for journalism.
"I never try to sell Spot.us as a silver bullet that will support a whole news organization," Cohn said. "But I do see it helping a news organization so they can do something beyond their regular means. They can strive for excellence, but it won't support day-to-day reporting. It has its limitations...Community-funded journalism relies on two basic shifts. First, the audience has to think of journalism as a public good like art that's worth sustaining with their own money. The second shift is with reporters who have to realize they are a personal brand and they can pitch the public."

Unlike Spot.us and its piecemeal approach to crowdfunding per story, RepJ takes a longer term outlook by hiring a full-time journalist to work for a local community or cover a specific issue. Leonard Witt, communication chair at Kennesaw State University in Georgia, came up with the idea for representative journalism and
got a $51,000 grant from the Harnisch Family Foundation for the trial project in Minnesota. Witt believes that a community or interest group could raise $100 donations (or $2 per week) from 1,000 people to support a journalist who covers their locale or issue for a year.
Witt has yet to test this donation model; he's first trying to get his initial representative journalist, Bonnie Obremski, more ingrained in the community in Northfield, Minn.
"We are dealing with a total Northfield population of just 17,000," Witt told me via email. "We have to literally weave together an information community of members willing to pay for high quality journalism. So we have to work on three fronts: 1) we have to provide high quality journalism; 2) we have to get the community to know our journalist; and 3) the community has to feel that their membership in the community and the news and information it produces has value worthy of their financial support."
Crowdfunding Bloggers
MoveOn.org pioneered getting small donations to pay for political advocacy campaigns, and Barack Obama raised small donations from millions of people in the '08 campaign. And independent bloggers and online journalists have for years been asking their audience to help support their work through small donations. Political bloggers such as
Josh Marshall and Andrew Sullivan, and tech blogger Jason Kottke have raised thousands of dollars from online fundraisers in the past. And freelance reporter/blogger Chris Allbritton financed a trip to cover the Iraq War in 2003 by raising nearly $15,000 from his readers, and wrote dispatches on his Back to Iraq blog.
Allbritton was able to finance a drastic change of beats, going from being a media and technology reporter to becoming a foreign correspondent covering war zones in the Middle East. By supporting his trip to Iraq, Allbritton's readers helped him gain steady work as a freelance correspondent to Time magazine, the San Francisco Chronicle and New York Daily News. Now, he is a
Knight fellow at Stanford University on a year-long quest to see if the reader-supported model can work at an institutional level.
When I contacted Allbritton for this story, he was amused at the term "crowdfunding" and noted that its advocates might not realize how expensive foreign reporting really is -- especially in a war zone. Even with nearly $15,000 for his Iraq stint, Allbritton quickly went through the funds in just one month because of the high cost of being a foreign correspondent in Iraq. "There was no guarantee that more moneys would be forthcoming from an already tapped audience," he said. "Trust me: You don't want to suddenly find yourself broke in Iraq."
Even so, Allbritton was amazed that he could go cover a war at the behest of his audience, without approval from any editor or news organization.
"I didn't have to ask anyone's permission or check with anyone," he said. "I was relying on my own judgment. It was an amazing sense of freedom to do stories and explore things that I thought were really interesting. That said, it also carried a great sense of responsibility. I mean, when you're at a newspaper or magazine, you have an editor or two to answer to. Now, I had thousands of people watching me and I didn't want to let the donors down. I took that very seriously."
On a less serious subject -- satirical political blogging -- Ana Marie Cox was on the campaign trail covering John McCain for Radar Online when the magazine went belly up. She posted a
Rate Card on her personal blog, asking her readers to support her coverage for the last week and a half of the campaign. For $10, you would get a personal thank-you email, and for $250, Cox would pose your question to a McCain advisor.
Cox was surprised that she raised more than $7,000 from her fans in just a few days.
"Words cannot properly convey my gratitude and amazement in the faith you people seem to have in a little Midwestern girl and her fondness for foul language, politics, and hard-luck stories -- not in that order," she wrote
on her personal blog.
Still, Cox was quick to note that "due to the astronomical costs of traveling with a campaign, I am pretty sure that amount will run short of covering the trail through election day."
Not long after the pledge drive happened, Cox was picked up by the Washington Independent to continue providing reports from the McCain campaign.
Another blogger that recently started a crowdfunding drive is Jim Hopkins, a former USA Today reporter who writes the
Gannett Blog as a watchdog to the newspaper chain and media conglomerate. For the past month Hopkins has been asking for $5 subscriptions from readers via PayPal, and raised nearly $1,500. But he had one particularly vexing problem: Most of his readers want to remain anonymous because they work for Gannett, so using PayPal would reveal who they are to him. To get around that problem, Hopkins set up a post office box to accept cash from them in the mail.
Hopkins told me he is trying to make money from Google AdSense ads, and is using online video to strengthen his appeal for funds.
"I had read that video is a good way to make an appeal because it's more emotional," he told me. "Until recently, my readers had not heard my voice or had a sense of who I was as a person. Just last week I figured out a cheap way to produce video, and people's reactions have been interesting. They said I might have come across as a mean, anti-management person, but the video made me seem more like a real human being. So if I used it as a fundraising tool it could result in more money coming in."
Hopkins is interested in using Spot.us to fund other story ideas, but he is worried that if he puts his pitches online, they could be scooped up by competitors.
"I have to think about ways to present my ideas without having them taken by someone else," he said. "That's an issue that
Profnet has wrestled with for years; [it's a site] where a journalist presents a story to [potential] sources, but they have figured out a way around it."
Supporting Crowdfunding Operations
While an independent blogger or journalist might raise funds from readers directly, it's not something that comes naturally to most writers, who might have a gift for words but not business. That's where the "hub" idea makes more sense, and a platform such as Spot.us -- properly marketed -- could help connect writers with potential funders, and handle financial transactions. That hub model has worked at
Kiva.org for funding entrepreneurs in the developing world; at DonorsChoose.org for matching charities to donors; as well as entertainment sites such as Sellaband for funding bands directly and IndieGoGo for funding films.

IndieGoGo launched at Sundance last January, and has raised more than $70,000, with more than 800 film projects posted on the site. Filmmakers pitch the public, and they can then micro-finance projects. IndieGoGo takes a 9% cut of all donations, and donors do not share in the proceeds from the film, instead getting quirky "VIP perks" such as film credits or trips to the set. IndieGoGo co-founder and head of marketing and strategy Slava Rubin told me one filmmaker who made a documentary about Iraq gave donors strips of a Persian rug that came from one of Saddam Hussein's palaces.
Rubin thinks the crowdfunding model could work in journalism as long as the journalists can engage the right audience.
"If someone writes [a story about] corn in our energy supply, and they try to get money from people in Iowa, that could work," he said. "You need to be able to engage your audience. You have to be closely connected to your niche, and take advantage of the tools out there to engage that audience. There's Sellaband for music, and there are others, but you have to make a connection with the audience."
Cohn told me Spot.us would try to become sustainable by asking for donations to support the overall operation at the point of sale for story donations. He said that's been a successful strategy for Kiva.org, whose president told him that 79% of people giving money to entrepreneurs will give an extra 10% to cover the costs of Kiva.org's operation. Cohn also would like to get money from advertisers in new ways.
"[Someone like] Macy's could have a survey on our site, and Spot.us users can fill out a survey for them, and in return, they would get credit," he said. "So instead of Macy's giving money to a pitch, they would give it to users, and the users would decide where the money would go. I don't know if it's advertising, but it's a win-win -- the user gets real money to donate, the company gets a survey filled out. But that's in the future."

Wired contributing editor and "Crowdsourcing" author Jeff Howe told me that he was bullish on the crowdfunding model, because it takes much less effort to get someone to throw in a few bucks online than to do the free work of crowdsourcing. Howe thinks Spot.us has promise because of the low cost involved for freelance journalists.
"You just have to pay someone to write the piece, and as you and I know, a couple grand in our pocket will fund a week or more of reporting for us, and that's what the Spot.us model is," Howe said. "I'm really optimistic and hopeful for this as a model for journalism. We're in such disarray right now, where the music industry was in '02 or '03, because of changing mediums and a fickle audience."
One worry he did have was that journalism funders would expect a particular outcome from the story pitch -- and would get upset if the result didn't fit in their assumed world view.
"What you get with a newspaper is a convention to find the facts and write the story," Howe said. "I'm not sure how that convention changes with crowdfunding. I expect that the writers will come back with stories that the funders wanted to see. There's going to be an imperative -- unconciously or not -- to please the funders. And what we know of online communities is that they tend to gather around shared viewpoints and interests. Crowdfunding will work by tapping those communities and they are not disinterested, they will have an axe to grind. People who want you to investigate the local utility will already believe that the local utility is guilty of malfeasance."
What do you think about crowdfunding efforts by Spot.us and RepJ? Do you think micro-donations can support local freelance stories or a long-term journalist covering a particular community or issue? What potential conflicts do you see with these operations and how much could they help bridge the gap in the changing business model for traditional journalism? Share your thoughts in the comments below.

http://www.pbs.org/mediashift/2008/11/can-crowdfunding-help-save-the-journalism-business318.html


READ AN ALTERNATIVE IHT DAILY NARRATIVE AT
A PLACE IN THE AUVERGNE

LOOKING FOR A CHRISTMAS BOOK GIFT TO BUY?
"Books about cosmopolitan urbanites discovering the joys of country life are two a penny, but this one is worth a second glance. Walthew's vivid description of the moral stress induced by his job as a high-flying executive with the International Herald Tribune newspaper is worth the cover price alone…. Highly recommended."
The Oxford Times


Amazon.co.uk
A PLACE IN MY COUNTRY
by
Ian Walthew


'I read
A Place in My Country with absolute unalloyed delight. A glorious book.'
Jeremy Irons (actor)

‘Ian Walthew was a newspaper executive with a career that took him round the world, who one day did a mad thing. He saw a for-sale sign on a cottage in the Cotswolds, bought it, resigned and moved in. For the first few weeks he just lay on the grass in a daze. Then he started talking to his neighbours and digging into the rich history of this beautiful part of England. Out of his inquiries grew this affecting and inspiring memoir.What sets it apart from others of its ilk is the author’s enviable immunity to cliché and his determination to love his homeland better than he used to.
His elegiac account of relearning how to be an Englishman should be required reading for anyone who claims to know or love this country. Financial Times


Amazon.com

A PLACE IN MY COUNTRY
By
Ian Walthew


For more reviews visit
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More companies may go private in new year - could the NYT Company be one of them? And might they have to write down the value of About.com?

I've been blogging with increased regularity now for some time on the very real possibility of the NYT Company going public-to-private.

If you think it's just the rantings of some nutter in the Auvergne, read this.


More companies may go private in new year
By Simon MeadsReuters
Monday, November 17, 2008
LONDON: A dearth of capital provided by banks may drive public companies into the arms of cash-rich private equity firms and could help rekindle the moribund market for public-to-private buyouts.
Private equity companies say there have been some signs of revival in the market, which has been virtually shut for more than a year, as institutional investors seek a way out of companies whose share prices have dropped.
There has been a pickup in business in just the past couple of weeks, with two public-to-private deals going into the due diligence phase, said Andrew Roberts, a private equity partner at the law firm Travers Smith.
A slow drip-feed of liquidity back into the system next year could give more impetus to the market for mergers and acquisitions, Roberts said.
"It's still going to be relatively small deals, in the hundreds of millions rather than the billions," he said.
In the first nine months of 2008, there were only 15 public-to-private buyouts in Britain, according to figures from the Center for Management Buyout Research.
The £2 billion, or $3 billion at current exchange rates, buyout of Emap, a media company, was the largest. It was one of only three buyouts worth more than £1 billion.
This contrasts with the 24 public-to-private deals made last year, including the European high-water mark deal - the £11.1 billion takeover of Alliance Boots by a consortium led by Kohlberg Kravis Roberts.
And there is a precedent for a rise in this type of deal after a sharp fall in asset values. Toward the end of the dot-com boom, there were 46 public-to-private deals in 1999 and 42 in 2000, accounting for 28 percent and 39 percent of total buyout deal value, respectively. That total includes other deals between private equity firms and buyouts by privately held companies.
Private equity firms have to put in more of their own money when buying a company with borrowed cash, and the size of such leveraged deals has dropped drastically after the credit crunch slammed the door shut on credit markets.
Private equity firms are hoping tight financing conditions may bring back the heady days. With markets for initial public offerings shut and a mountain of refinancing awaiting already tight corporate debt and loan markets, companies have few options.
"Large shareholders are hugely important in these types of deals," said Roberts, the private equity partner at Travers Smith.
In London, the FTSE 100-share index has slumped by more than a third already this year and large institutional investors are set to dominate shareholder registers as the hedge fund industry shrinks and retail investors continue to stay away.
"Now that prices have come down on the listed market, it will open up the possibility of doing public-to-privates," said Richard Chapman, a partner at the private equity firm ECI Partners. "You also have willing vendors."
"There is a desire by institutional investors to pull out of the smaller and midcap companies."
Sam Hart, an analyst with the brokerage firm Charles Stanley, said he believed that investors in any quoted company would be extremely pleased to see interest from private equity firms.
"I'm sure they would look extremely favorably on any approach, and as long as the offers they were making for companies represented a reasonable premium to the current share price, I would have thought they would be quite inclined to accept those offers," he said.
But, Chapman said, although there is room for a pickup in public-to-private buyouts, activity may not restart until 2009, after banks complete reporting 2008 balance sheets and there is an easing of bank debt.

http://www.iht.com/articles/2008/11/17/business/deal.php

And if you think some of my posts about About.com have been off-the-mark (I think the NYT Company overpaid for an out-of-date, distinctly uncool, ageing demographic, behind the Internet curve dot com company) then you might like to check in on this little gem about companies having to write down the value of assets on their books, bought when times were good and money was cheap: http://www.iht.com/articles/2008/11/17/business/deal18.php

Of course, if they are looking at a public-to-private, that wouldn't be such a bad thing would it?

Meanwhile they plan to merge iht.com into www.nytimes.com, effectively wiping value off the balance sheet - given how much they (overpaid) for the IHT when times were good and money was cheap. WaPo must be delighted.





READ AN ALTERNATIVE IHT DAILY NARRATIVE AT
A PLACE IN THE AUVERGNE

LOOKING FOR A CHRISTMAS BOOK GIFT TO BUY?
"Books about cosmopolitan urbanites discovering the joys of country life are two a penny, but this one is worth a second glance. Walthew's vivid description of the moral stress induced by his job as a high-flying executive with the International Herald Tribune newspaper is worth the cover price alone…. Highly recommended."
The Oxford Times

Amazon.co.uk
A PLACE IN MY COUNTRY
by
Ian Walthew


'I read
A Place in My Country with absolute unalloyed delight. A glorious book.'
Jeremy Irons (actor)

‘Ian Walthew was a newspaper executive with a career that took him round the world, who one day did a mad thing. He saw a for-sale sign on a cottage in the Cotswolds, bought it, resigned and moved in. For the first few weeks he just lay on the grass in a daze. Then he started talking to his neighbours and digging into the rich history of this beautiful part of England. Out of his inquiries grew this affecting and inspiring memoir.What sets it apart from others of its ilk is the author’s enviable immunity to cliché and his determination to love his homeland better than he used to.
His elegiac account of relearning how to be an Englishman should be required reading for anyone who claims to know or love this country. Financial Times


Amazon.com

A PLACE IN MY COUNTRY
By
Ian Walthew


For more reviews visit
ianwalthew.com